"It is by riding a bicycle that you learn the contours of a country best, since you have to sweat up the hills and coast down them. Thus you remember them as they actually are, while in a motor car only a high hill impresses you, and you have no such accurate remembrance of country you have driven through as you gain by riding a bicycle."
Ernest Hemingway
email me if google hasn't got the answer..Still getting emails & messages about fit “basics” - see below from the archives circa 2011
COVER YOUR ASS
There is a common misconception that one should have the length of their jackets as short as possible to give the perception of hight via longer leg balance to shorter body. Unless you are a ‘hipster’ & going for that certain look that will make you cringe next season, don’t read on.
The same goes for the misconception of shorter men must avoid cuffs with pants.
BAR-HUMBUG!
There is no actual quantum science or emperical measure as we are all blessed with different body proportions as shapes.
But in my opinion it is best to understand your body proportions & shape then adhere to some certain guidelines not rules to make you look your best:
As mentioned in an earlier post, Patrick Johnson (tailor) & I changed a few minor measurements with this suit to keep it as ‘classic’ as possible compared to my other suits.
What do we see?
Other than the grey suit looking more English & the navy chalk looking more Italian - see the difference.
Where the (sleeve) ends
“My method” as no tailor I know uses this but agree it works for me
Now have a look at the full body shots & see the consistency & the effects this gives me.
Is there a natural flow from shoulder to arm to wrist point & where the jacket finishes.
Finally - if your jacket body is too short (as in not covering your ass), your sleeves will look too long & hence throw the whole visual proportions out & the above will make no impact.
FWIW I am:
The most important message - find a GOOD tailor that you connect with & TRUST him or her.
Details | Suit - P Johnson for GW | Shirt - Ascot Chang for GW | PS - Facconable | Tie - 15 YEAR OLD Channel (sheesh I have an old passport picture of me wearing this same tie) | Hoofs - John Lobb “Phillip II” on 7000 last for Leather Soul
More from winter 2011
The Clash.. Italy calling..
Notes: Suit - P Johnson for GW, Shirt - Ascot Chan for GW, Tie & PS - Herringbone, Shoes - Crocket & Jones “Belgrave”, Grin - family shenanigans..
Monet or Picasso? It’s in the eye of the beholder …
* Note that this is all second nature to me. It has taken many sartorial blunders & over 20 years of snarks to now where I actually don’t over-think this when I dress in the morning, or even the night before. My barometer is in how I feel when I wake up, the weather, and the context for the day. This is the only regard in which I think about it.
The cooler climes are approaching us in the Antipodes, so it’s timely that a follower has uncovered this from my archives.
FYI - this was originally posted about June 2011.
Is it going to be too warm for flannel? & there will always be ripples..
Notes: Suit - P Johnson for GW, Shirt - Ascot Chan for GW, PS - Herringbone, Tie - E. G. Capelli, Shoes - Anthony Cleverley “Bodie” for Leather Soul
Trivia:
Peacocks & Turkeys
So apparently I ruffled some tough “anon” turkeys the other day regarding my 30 sec critique of indochino.com..
http://mostexerent.tumblr.com/post/7192105802/this-is-bad-as-in-car-wreck-skimpy-lapels
My 30 sec critique captured what would have been an all day shoot by “professionals”. Let’s take this another step. If you were selling a product, would you not make sure that it is represented in the best light?
Have a look at Ralph Lauren or J Crew for example, their campaigns capture a story & highlight their products in positive light. Surprisingly one can look at an older Ralph Lauren print media & still be swept away.
Actually, I challenge you to click on the WWIW tag & see if you find collar gaps etc. Also factor in that I do not have a team of stylists & “professionals” or a “fluffer”. It’s just me, a trash can as a tripod & 10 sec timer. Also I am not a model size.
Admittedly I am not as eloquent as Jesse, but that’s just me.
Here is a link to Jesses, post in softer lighting
http://putthison.com/post/7215023321/collar-gaps-shoulder-divots-an-explanation
So back to the above pic - here’s me after a long day in the saddle so to speak. In theory I have very difficult shoulders to fit & in practice should be exhibiting “collar gap” as my shoulders are sloped not square.
But as Patrick (P Johnson Tailors) & Ethan (ex PJ & now at The Armoury) have MostExerent “critical eye” & patience, they have ensured my jackets fit.
So there.. Anything else from the “anon” tough club as it appears they are the majority of the nay sayers & thank you to the other positive messages.
I will try & provide my assessment over time targeting mainly at industry folk as they SHOULD know better.
Please don’t send me pics for assessments as it is best to just sit back & lurk more.
Shots fired!
Notes: SC & Shirt - P Johnson, Tie - vintage Hermes, PS - Kiton, Pantaloons - RL, Shoes - Carmina x The Armoury “Penny Loafers”
* please excuse the low par photography as I was bored & only had my iPhone4 at hand
** a new follower has re-blogged this from my archives (July 2011) & since then have made the rounds
When to go ROUGH!
Silk or linen pocket square? The opposite in texture to your tie is a good guide but not necessarily the gospel as the total balance is the deciding factor.
Today I chose to wear a cashmere tie with burnt ochre & mid blue flecks on a light blue base. The texture of the tie is borderline fine tweed so a red on ecru gingham silk pocket square was an unexpected choice.
Usually one would wear calf shoes with a classic suiting as this wool/cashmere chalk stripe - but as the great Prince Edward & Gianni Agnelli has shown, brown suede is a great combination.
Again, all this is built on a white poplin shirt for foundation.
Details | Shade | RayBan “round metal” | Suit - P Johnson in Ariston wool/cashmere flannel silver chalk stripe on denim base | Shirt - Ascot Chang Thomas Mason “Silver Line” white poplin for GW | Tie - Drakes cashmere 7cm | PS - Facconable red on ecru base gingham silk | Wheels - John Lobb “City II” in Pewtere suede on 7000 last for Leather Soul
* From the archives as uncovered by a new follower
*From last year (when I was a suit wearing frustrated executive for a IT Research & Consulting firm, as opposed to now a free wearing executive for the Orchard) - but will answer the recent slew of emails/messages.
COVER YOUR ASS
There is a common misconception that one should have the length of their jackets as short as possible to give the perception of hight via longer leg balance to shorter body. Unless you are a ‘hipster’ & going for that certain look that will make you cringe next season, don’t read on.
The same goes for the misconception of shorter men must avoid cuffs with pants.
BAR-HUMBUG!
There is no actual quantum science or emperical measure as we are all blessed with different body proportions as shapes.
But in my opinion it is best to understand your body proportions & shape then adhere to some certain guidelines not rules to make you look your best:
As mentioned in an earlier post, Patrick Johnson (tailor) & I changed a few minor measurements with this suit to keep it as ‘classic’ as possible compared to my other suits.
What do we see?
Other than the grey suit looking more English & the navy chalk looking more Italian - see the difference.
Where the (sleeve) ends
“My method” as no tailor I know uses this but agree it works for me
Now have a look at the full body shots & see the consistency & the effects this gives me.
Is there a natural flow from shoulder to arm to wrist point & where the jacket finishes.
Finally - if your jacket body is too short (as in not covering your ass), your sleeves will look too long & hence throw the whole visual proportions out & the above will make no impact.
FWIW I am:
The most important message - find a GOOD tailor that you connect with & TRUST him or her.
Details | Suit - P Johnson for GW | Shirt - Ascot Chang for GW | PS - Facconable | Tie - 15 YEAR OLD Channel (sheesh I have an old passport picture of me wearing this same tie) | Hoofs - John Lobb “Phillip II” on 7000 last for Leather Soul
Off to celebrate my good friend’s new role - BIG WIG for Burberry Aus..
Details | P Johnson “Solaro” “Soraro” jacket (part of suit) for GW | Ascot Chang shirt in Drake’s of London private reserve shirting for GW | Muji cotton webbing belt | S. Ambrossio pantaloons for GW | Common Projects |
POW Check not Gun Check.. My SUPER BAD..
Details | Suit - P Johnson in Loro Piana wool/cashmere for GW | Pocket Square - Drake’s Irish Linen | Shirt - Ascot Chang in Thomas Mason for GW | Knit Tie - Kilgour | Boots - Edward Green MTO “Shannon” for Leather Soul for GW
I’m all for knit ties, gun check POW Check boots & s l o w l i v i n g …
(Taken with Instagram at The Bunker)
Monday’s are always nicer when the mailman delivers..
*THANK YOU TOM @LeatherSoul
(Taken with Instagram at My Sand Pit)
Representing The East & West..
Details | Suit - @PJohnson Ariston cotton SoRaro for GW | Pocket Square - Drake’s Irish linen | Shirt - @AscotChang Thomas Mason “End-on-End” for GW | Tie - Herringbone | Munk - Edward Green Top Drawer “Oundle” in CRUP shell on 888 last for @LeatherSoul for GW | Bag - Ettinger